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	<title>Mikaela Steby Stenfalk</title>
	<link>https://mikaelastebystenfalk.com</link>
	<description>Mikaela Steby Stenfalk</description>
	<pubDate>Mon, 01 Apr 2024 07:08:12 +0000</pubDate>
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		<title>Selected works</title>
				
		<link>https://mikaelastebystenfalk.com/Selected-works-1</link>

		<pubDate>Sat, 21 Jan 2023 11:25:43 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

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		<description>MIKAELA STEBY STENFALK</description>
		
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		<title>Vattenrosorna i Hälsingegårdarna</title>
				
		<link>https://mikaelastebystenfalk.com/Vattenrosorna-i-Halsingegardarna</link>

		<pubDate>Tue, 06 Oct 2020 16:14:38 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

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		<description>Vattenrosorna i Hälsingegårdarna


	










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In the World Heritage Site of the Decorated Farmhouses of Hälsingland, water roses grow with each passing year. Moisture from outside creeps into the houses and out through the hand-painted walls. In the marbling of the linen and cardboard wallpaper, the rippling edges of the water roses flow out and seem almost contrived in the already organic pattern. The water-based paints run like raindrops in the landscape paintings on the wooden panels. In the flower-covered stencil paintings spreads a new kind of flower. 
The water roses are beautiful and at the same time ominous, a sign of decay and ongoing climate change.




Display: Hälsinglands museum - Dimljus, 29 March - 26 October 2025
Material: sculpture series
Year: 2022 - 2025

					
Produced within the context of the World Heritage Scholarship and residency in 2022, hosted by the UNESCO World Heritage Hälsingegårdarna / Decorated Farmhouses of Hälsingland and Region Gävleborg.

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Images by Mikaela Steby Stenfalk
Exhibitions and selected presshttps://whc.unesco.org/en/news/2500www.regiongavleborg.se/en/Halsingegardar/residencescholarship/schlarship-holders/mikaela-steby-stenfalk-2022/&#38;nbsp;

︎︎︎</description>
		
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	<item>
		<title>I dammens spegling - En resonans av Martorn</title>
				
		<link>https://mikaelastebystenfalk.com/I-dammens-spegling-En-resonans-av-Martorn</link>

		<pubDate>Mon, 01 Apr 2024 07:08:12 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

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I dammens spegling - En resonans av Martorn&#38;nbsp;



	
		
		
	
	
		
			
				
					Tillfälling installation i Botaniska trädgården i Göteborg, 25 maj - 30 september 2025.

Under sommaren reser sig två monumentala växter ur vattnet i Göteborgs botaniska trädgård, som påminnelser om något som är på väg att försvinna. I installationen uppmärksammar konstnärerna Mikaela Steby Stenfalk och Erik Öberg det intensiva artbevarande arbetet som sker bortom publikens blick i trädgården. Verken visualiserar den biologiska mångfaldens skörhet genom skulpturala tolkningar av Martorn och Ostronört — två rödlistade bohuslänska växter. Skulpturerna möts i Klippträdgårdens stora damm, som ett monument över dessa växter och en spegling av naturens bräcklighet i klimatförändringarnas tid.

Trots att de båda växterna befinner sig i ett utsatt tillstånd visar martornen tecken på återhämtning tack vare återetableringsprojekt som inkluderar fröinsamlingar, information och skyddsbarriärer. För ostronörten ser det mörkare ut då det enbart finns runt 40 kända exemplar i Sverige. Mänsklig påverkan har drastiskt förändrat klimatet i det bohuslänska landskapet och det har skapat stora utmaningar för växtens överlevnad. 

Mikaela Steby Stenfalks tolkning av Martornen liknar närmast ett skelett, något som är på väg att smälta, förvrängas och försvinna, som ett kusligt eko av vår tids artutdöd. Med tiden sätter naturen sina spår och dammens vatten färgar den benvita skulpturen, en stillsam förändring som speglar växtens sårbara beroende av sin omgivning. Erik Öbergs utgångspunkt återfinns i Ostronörtens sista, extatiska blomning med blå klockor utan koppling till ett rotsystem. Växten bärs upp av en kirurgisk Ilizarov-ställning i rostfritt stål — ett brutalt och smärtsamt men också nödvändigt stöd som speglar människans dubbla roll som hot och beskyddare. Sammantaget är verken poetiska skildringar av fragilitet, skuld, hopp och vårt ansvar inför det som riskerar att gå förlorat.
Producerat i stöd av Konstnärsnämnden.
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Process och blandade skisser:


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&#60;img width="1080" height="1616" width_o="1080" height_o="1616" data-src="https://freight.cargo.site/t/original/i/238fc5ac4605e2b89464d6fa0f328c2847cde5c3bcf9438209b06333c9dcd99c/DSC08004.JPG" data-mid="224887217" border="0"  src="https://freight.cargo.site/w/1000/i/238fc5ac4605e2b89464d6fa0f328c2847cde5c3bcf9438209b06333c9dcd99c/DSC08004.JPG" /&#62;
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&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/c1e32df5c79ac092bf54f9c5fd5c385fc48cae35671a615f2f5ec4b40ae6201a/_MG_4957-copy.jpg" data-mid="224887223" border="0"  src="https://freight.cargo.site/w/1000/i/c1e32df5c79ac092bf54f9c5fd5c385fc48cae35671a615f2f5ec4b40ae6201a/_MG_4957-copy.jpg" /&#62;
&#60;img width="5532" height="3744" width_o="5532" height_o="3744" data-src="https://freight.cargo.site/t/original/i/38863639383ef69ae58dead2edb249d7b3fb14828f8a00c496bdbcdd6e9b392b/_MG_4988-copy.jpg" data-mid="224887260" border="0"  src="https://freight.cargo.site/w/1000/i/38863639383ef69ae58dead2edb249d7b3fb14828f8a00c496bdbcdd6e9b392b/_MG_4988-copy.jpg" /&#62;
Images by Nicklas Dennermalm &#38;amp; Mikaela Steby Stenfalk
</description>
		
	</item>
		
		
	<item>
		<title>Speglade rosor</title>
				
		<link>https://mikaelastebystenfalk.com/Speglade-rosor</link>

		<pubDate>Tue, 06 Oct 2020 08:47:35 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/Speglade-rosor</guid>

		<description>
Speglade rosor




	&#60;img width="3868" height="5802" width_o="3868" height_o="5802" data-src="https://freight.cargo.site/t/original/i/657d8f1a21e92dd8f23ca395bbbf32f6405767094bce749f8f73588f7a46caa4/Mikaela_03-05-25_60.jpg" data-mid="237773967" border="0"  src="https://freight.cargo.site/w/1000/i/657d8f1a21e92dd8f23ca395bbbf32f6405767094bce749f8f73588f7a46caa4/Mikaela_03-05-25_60.jpg" /&#62;


	










Tillfällig installation i trädgården på Sigtunastiftelsen, april–maj 2025. 
Skulpturen är placerad i fontänen i Sigtunastiftelsens Rosenträdgård, en symmetrisk klosterträdgård där rosor historiskt haft en central plats. Verket är inspirerat av trädgårdens tradition och människans vilja att forma naturen – att bevara, idealisera och kontrollera den. Skulpturen tar upp trädgårdens strikt ordnade former och reflekterar dess komposition genom sin spegelvända symmetri. Formen påminner om en ros men är samtidigt förändrad, uppbruten i fyra delar som ramar in fontänens vattenstrålar. I mötet med vattnet skapas en ständig rörelse, där fontänens strålar flödar genom skulpturen och förändrar dess uttryck beroende på betraktarens vinkel. Den vita, skelettliknande strukturen framstår som en kvarleva från en tid som redan börjat blekna – ett tyst vittne om en förlorad balans.
Länk till video:&#38;nbsp;











https://www.instagram.com/p/DIiYwhKiqy5/&#38;nbsp;


&#60;img width="5958" height="3972" width_o="5958" height_o="3972" data-src="https://freight.cargo.site/t/original/i/8323fb5b8324f90570955d14282f668933a1d5cbbc064e35afe414899afef003/Mikaela_03-05-25_59.jpg" data-mid="237773962" border="0"  src="https://freight.cargo.site/w/1000/i/8323fb5b8324f90570955d14282f668933a1d5cbbc064e35afe414899afef003/Mikaela_03-05-25_59.jpg" /&#62;



&#60;img width="3851" height="5776" width_o="3851" height_o="5776" data-src="https://freight.cargo.site/t/original/i/ae6b394486ef8eef1793d664e539f11e5e6cfeb4457e954b8a9e743c3c48c377/Mikaela_03-05-25_58.jpg" data-mid="237773958" border="0"  src="https://freight.cargo.site/w/1000/i/ae6b394486ef8eef1793d664e539f11e5e6cfeb4457e954b8a9e743c3c48c377/Mikaela_03-05-25_58.jpg" /&#62;
&#60;img width="3685" height="5528" width_o="3685" height_o="5528" data-src="https://freight.cargo.site/t/original/i/1723b82d232f9bc5216af629c867ee67fd6fc1d49dd7f7b12b1da10f690a196c/Mikaela_03-05-25_68.jpg" data-mid="237773987" border="0"  src="https://freight.cargo.site/w/1000/i/1723b82d232f9bc5216af629c867ee67fd6fc1d49dd7f7b12b1da10f690a196c/Mikaela_03-05-25_68.jpg" /&#62;



&#60;img width="3888" height="5832" width_o="3888" height_o="5832" data-src="https://freight.cargo.site/t/original/i/e561461be38548532b5d6c26c9ef4ceedaf8a66f8d441f097d64ef0e17573557/Mikaela_03-05-25_65.jpg" data-mid="237773983" border="0"  src="https://freight.cargo.site/w/1000/i/e561461be38548532b5d6c26c9ef4ceedaf8a66f8d441f097d64ef0e17573557/Mikaela_03-05-25_65.jpg" /&#62;
&#60;img width="3888" height="5832" width_o="3888" height_o="5832" data-src="https://freight.cargo.site/t/original/i/17d1b63715e2a93f407879959fde94ddafc636cf13171271771ba0f3478f2563/Mikaela_03-05-25_70.jpg" data-mid="237773989" border="0"  src="https://freight.cargo.site/w/1000/i/17d1b63715e2a93f407879959fde94ddafc636cf13171271771ba0f3478f2563/Mikaela_03-05-25_70.jpg" /&#62;
&#60;img width="3233" height="4849" width_o="3233" height_o="4849" data-src="https://freight.cargo.site/t/original/i/4159ef599bd5c99fd32928495b6b78322e7dcc8f1d5df8c41e42b1ef020e8252/Mikaela_03-05-25_64.jpg" data-mid="237773982" border="0"  src="https://freight.cargo.site/w/1000/i/4159ef599bd5c99fd32928495b6b78322e7dcc8f1d5df8c41e42b1ef020e8252/Mikaela_03-05-25_64.jpg" /&#62;
&#60;img width="3883" height="5824" width_o="3883" height_o="5824" data-src="https://freight.cargo.site/t/original/i/9f29b6902eb4431edbe4bc0588fdd95c80f325e4daa2d6a1ab28627631ba720d/Mikaela_03-05-25_69.jpg" data-mid="237773988" border="0"  src="https://freight.cargo.site/w/1000/i/9f29b6902eb4431edbe4bc0588fdd95c80f325e4daa2d6a1ab28627631ba720d/Mikaela_03-05-25_69.jpg" /&#62;


&#60;img width="5958" height="3972" width_o="5958" height_o="3972" data-src="https://freight.cargo.site/t/original/i/8323fb5b8324f90570955d14282f668933a1d5cbbc064e35afe414899afef003/Mikaela_03-05-25_59.jpg" data-mid="237773962" border="0"  src="https://freight.cargo.site/w/1000/i/8323fb5b8324f90570955d14282f668933a1d5cbbc064e35afe414899afef003/Mikaela_03-05-25_59.jpg" /&#62;Images: Alexander Beveridge

&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>How my grandfather and I split Abu Simbel</title>
				
		<link>https://mikaelastebystenfalk.com/How-my-grandfather-and-I-split-Abu-Simbel</link>

		<pubDate>Tue, 06 Oct 2020 15:42:17 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/How-my-grandfather-and-I-split-Abu-Simbel</guid>

		<description>How my grandfather and I split Abu Simbel (work in progress)




	&#60;img width="1080" height="1616" width_o="1080" height_o="1616" data-src="https://freight.cargo.site/t/original/i/e4cf570b95e191d6027ae410c22a73d453db3a0e4fe06ad10afb28e5c1a0f8e8/DSC02867.JPG" data-mid="165469980" border="0"  src="https://freight.cargo.site/w/1000/i/e4cf570b95e191d6027ae410c22a73d453db3a0e4fe06ad10afb28e5c1a0f8e8/DSC02867.JPG" /&#62;
	











This ongoing project is a memory in three generations, weaved into one narrative and combined with archival documentations. Together, they tell the story of the relocation of the Abu Simbel temples in southern Egypt in the 1960s. 


When the Aswan High Dam was constructed, a vast area around the Nile south of the dam was submerged under the surface of the water, including many Nubian settlements and ancient monuments. Two temples gained particular attention; the temples of Ramses II and Nefetari in Abu Simbel. On behalf of UNESCO, the Swedish Vattenbyggnadsbyrån (now Sweco) headed the engineering of their relocation, with the plan to cut the temples into large pieces and move them into safety, one by one. As one of their engineers, it was my grandfather Birger Steby’s (1920-2016) position to calculate where the temples should be cut. This story has been told over and over in my family. As a child, I listened to my grandfather tell this magical fairy-tale with a candid imagination.


In the project, I combine my childhood memories with my mother’s testimonies and my grandfather’s private collections of letters, images and notes, as well as Sweco’s and UNESCO’s archival documentation of the relocation. This is a memory in three generations, but it is also three generations’ perspectives, where the 1960s’ visionary view on engineering and faith in industrialisation meets contemporary questions of decolonisation, the many controverises around the construction of the dam and the forced displacement of the Nubian population.&#38;nbsp;





With the support of the Swedish Arts Grants Committee, Längmanska Kulturfonden &#38;amp; Helge Ax:son Johnsons Stiftelse. As well as very generous help from the archive at Sweco.


					



	
&#60;img width="997" height="1505" width_o="997" height_o="1505" data-src="https://freight.cargo.site/t/original/i/80d11eb17e41dac54cd3b883f44ec17cc1a7d0d243eefe5b022de09601ff499c/AC46E3AB-E07C-4A6D-8CF4-D1301BC6CB95.jpg" data-mid="165469979" border="0"  src="https://freight.cargo.site/w/997/i/80d11eb17e41dac54cd3b883f44ec17cc1a7d0d243eefe5b022de09601ff499c/AC46E3AB-E07C-4A6D-8CF4-D1301BC6CB95.jpg" /&#62;
&#60;img width="2442" height="1228" width_o="2442" height_o="1228" data-src="https://freight.cargo.site/t/original/i/79c7a17386811b37a4fd12119472c9dfedd3633bfb7b487237ac448057d3724b/Screenshot-2023-01-04-at-16.51.30.png" data-mid="165469982" border="0"  src="https://freight.cargo.site/w/1000/i/79c7a17386811b37a4fd12119472c9dfedd3633bfb7b487237ac448057d3724b/Screenshot-2023-01-04-at-16.51.30.png" /&#62;
&#60;img width="2372" height="2281" width_o="2372" height_o="2281" data-src="https://freight.cargo.site/t/original/i/358b6a271a234b1c616b01aafe4c5ee78534a00d9eb2a88fac07f32bdca30d87/morfar.jpg" data-mid="165494152" border="0"  src="https://freight.cargo.site/w/1000/i/358b6a271a234b1c616b01aafe4c5ee78534a00d9eb2a88fac07f32bdca30d87/morfar.jpg" /&#62;
&#60;img width="1304" height="1044" width_o="1304" height_o="1044" data-src="https://freight.cargo.site/t/original/i/f8e15b274973b4b277b81a40c73986babfea27609f818eb2228ff071e785725b/AADDEECB-A6BF-47A1-BE8F-E566CE0EBA3C.jpg" data-mid="165469978" border="0"  src="https://freight.cargo.site/w/1000/i/f8e15b274973b4b277b81a40c73986babfea27609f818eb2228ff071e785725b/AADDEECB-A6BF-47A1-BE8F-E566CE0EBA3C.jpg" /&#62;


Images by Birger Steby &#38;amp; Mikaela Steby Stenfalk︎︎︎
</description>
		
	</item>
		
		
	<item>
		<title>Fleeting Fragments of Notre Dame</title>
				
		<link>https://mikaelastebystenfalk.com/Fleeting-Fragments-of-Notre-Dame</link>

		<pubDate>Tue, 06 Oct 2020 08:47:35 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/Fleeting-Fragments-of-Notre-Dame</guid>

		<description>
	Fleeting Fragments of Notre Dame



&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/e38f6e5306ed19b65947e60440554fa40f209d881ab8b3b143f2764335599eb0/Konstakademien_3.jpg" data-mid="174941800" border="0"  src="https://freight.cargo.site/w/1000/i/e38f6e5306ed19b65947e60440554fa40f209d881ab8b3b143f2764335599eb0/Konstakademien_3.jpg" /&#62;

	

&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/1e3176f5c0942abd79fc1cfe9205f8d2a156b55bc94299410fda1d434b3e3d38/Konstakademien_6.jpg" data-mid="174941797" border="0"  src="https://freight.cargo.site/w/1000/i/1e3176f5c0942abd79fc1cfe9205f8d2a156b55bc94299410fda1d434b3e3d38/Konstakademien_6.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/12f4213471c563dc63b82ea5bec6fd5d9105f971b3f187fe7a2516e1b6cf4099/Konstakademien_2.jpg" data-mid="174941802" border="0"  src="https://freight.cargo.site/w/1000/i/12f4213471c563dc63b82ea5bec6fd5d9105f971b3f187fe7a2516e1b6cf4099/Konstakademien_2.jpg" /&#62;



	 




















In the sculpture series, we meet the ruins of a collective memory;
deriving from the image collection which rapidly built up while the Notre Dame
cathedral was burning down. Is it as a consolation, a process of grief, a will
to honour, to spread, or to preserve that the collection grows? Thousands of
meetings and fleeting moments testify to a timeline with an abrupt end. Holiday
memories are mixed with rushing fires and billowing smoke. Afterwards, when
parts of the cathedral remain only as pictures, what do we remember? What is
preserved in our collection? 



The works in the exhibition are created from the 38,000
images shared on Instagram during the evening that Notre Dame was on fire,
April 15, 2019. Through photogrammetry, the images have been brought together
into three-dimensional fragments. The physical shapes become snapshots of an
otherwise constantly flowing medium and its frozen state gives us time for
reflection. The sculptures question hierarchies where traditional (often
professional) perceptions of what is considered important and historically
interesting can be challenged by a joint action of collecting.








Material: PLA, latex, silk satin &#38;amp; metal
Year: 2021-2023
Displays: Spark Gallery (2021), SEART (2022) &#38;amp; Institute Français de Suède / Konstakademien (2023)
With support from Helge Ax:son Johnsons stiftelse.




	&#38;nbsp;
&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/90696c89c05995cfa49d98a440bdd872559324b3dfa531e9ecccc5e1c6116a96/Konstakademien_9.jpg" data-mid="174941794" border="0"  src="https://freight.cargo.site/w/1000/i/90696c89c05995cfa49d98a440bdd872559324b3dfa531e9ecccc5e1c6116a96/Konstakademien_9.jpg" /&#62;
&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/74e54d7f7e418d87f6d98097b3ca1bf62c33cd8e269f3cb80fedd284f792888e/Konstakademien_13.jpg" data-mid="174941788" border="0"  src="https://freight.cargo.site/w/1000/i/74e54d7f7e418d87f6d98097b3ca1bf62c33cd8e269f3cb80fedd284f792888e/Konstakademien_13.jpg" /&#62;


&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/3e71651c7fb34e3686f038fa018bba0b2892a1e0adb87090529fa395edfa8ef3/Konstakademien_1.jpg" data-mid="174941787" border="0"  src="https://freight.cargo.site/w/1000/i/3e71651c7fb34e3686f038fa018bba0b2892a1e0adb87090529fa395edfa8ef3/Konstakademien_1.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/873f8439c928a5595a32d6944708bfcdc76ed258595e3681f05ce46b7ef92989/Konstakademien_8.jpg" data-mid="174941796" border="0"  src="https://freight.cargo.site/w/1000/i/873f8439c928a5595a32d6944708bfcdc76ed258595e3681f05ce46b7ef92989/Konstakademien_8.jpg" /&#62;




	

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&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/78b8868818510a079e426c3af4664b03552e8657f616e2f5e5c019505ed1855c/flyktiga-fragment-10.jpg" data-mid="147655242" border="0"  src="https://freight.cargo.site/w/1000/i/78b8868818510a079e426c3af4664b03552e8657f616e2f5e5c019505ed1855c/flyktiga-fragment-10.jpg" /&#62;


Images by Nicklas Dennermalm (Lusthuset) &#38;amp; Alexander Beveridge (Konstakademien)
Selected presswww.sydsvenskan.se/2021-11-06/har-ar-konsten-du-inte-ska-missavo0eM︎︎︎
</description>
		
	</item>
		
		
	<item>
		<title>Mossa på vägg</title>
				
		<link>https://mikaelastebystenfalk.com/Mossa-pa-vagg</link>

		<pubDate>Tue, 06 Oct 2020 10:08:22 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/Mossa-pa-vagg</guid>

		<description>

Mossa på vägg&#38;nbsp;



	
		
		
	
	
		
			
				
					
Public artwork commissioned by Täby municipality for the entrance of their new tennis hall.
Genom ett barns blick kliver vi in i en mossklädd klipphäll som förstorats och förvandlats till ett landskap med rödrosa palmer och vindlande gröna snår. Dess förvrängda kanter påminner om minnets suddiga form och rörelse mellan dåtid och framtid. Här förenas ett utsnitt av konstnärens barndomsminnen av platsen med arkitekturen där nya minnen formas. &#38;nbsp; 

”Alla minnen måste ombildas. För vi har i våra minnen mikrofilmer som bara kan läsas om de belyses av fantasins starka ljus.” (Gaston Bachelard, egen översättning)

				
			
		
	





Material: Wood &#38;amp; digital print on silk satin
Year: 2023




&#60;img width="3762" height="5641" width_o="3762" height_o="5641" data-src="https://freight.cargo.site/t/original/i/af65bd12dc15bc9fc21b8c8d4552dea6011b672f66d6c4f5d8d7febaa1949250/Mikaela_03-05-25_52.jpg" data-mid="233384849" border="0"  src="https://freight.cargo.site/w/1000/i/af65bd12dc15bc9fc21b8c8d4552dea6011b672f66d6c4f5d8d7febaa1949250/Mikaela_03-05-25_52.jpg" /&#62;



	
&#60;img width="3958" height="5936" width_o="3958" height_o="5936" data-src="https://freight.cargo.site/t/original/i/ba54755c0c2ce8844ffe0bede552f48fa186e295caa13cac011ad491395d59a5/Mikaela_03-05-25_50.jpg" data-mid="233698459" border="0"  src="https://freight.cargo.site/w/1000/i/ba54755c0c2ce8844ffe0bede552f48fa186e295caa13cac011ad491395d59a5/Mikaela_03-05-25_50.jpg" /&#62;
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&#60;img width="3780" height="5671" width_o="3780" height_o="5671" data-src="https://freight.cargo.site/t/original/i/a8903399b436aac66e4b98e1c5fcf775aaeab6b96bd8a5160db608df264cb8b0/Mikaela_03-05-25_51.jpg" data-mid="233698460" border="0"  src="https://freight.cargo.site/w/1000/i/a8903399b436aac66e4b98e1c5fcf775aaeab6b96bd8a5160db608df264cb8b0/Mikaela_03-05-25_51.jpg" /&#62;


&#60;img width="3561" height="5342" width_o="3561" height_o="5342" data-src="https://freight.cargo.site/t/original/i/b12a867f428c9ac45636f84c9958f6041e5a75358ec1f1d8326f726b887dc6de/Mikaela_03-05-25_55.jpg" data-mid="233698462" border="0"  src="https://freight.cargo.site/w/1000/i/b12a867f428c9ac45636f84c9958f6041e5a75358ec1f1d8326f726b887dc6de/Mikaela_03-05-25_55.jpg" /&#62;
&#60;img width="3883" height="5824" width_o="3883" height_o="5824" data-src="https://freight.cargo.site/t/original/i/d6fb10b21e4fb91a3869607b2289ce722623333bf41a4161b1624aa0723dd8d1/Mikaela_03-05-25_57.jpg" data-mid="233698464" border="0"  src="https://freight.cargo.site/w/1000/i/d6fb10b21e4fb91a3869607b2289ce722623333bf41a4161b1624aa0723dd8d1/Mikaela_03-05-25_57.jpg" /&#62;

Images: Alexander Beveridge</description>
		
	</item>
		
		
	<item>
		<title>Utsnitt</title>
				
		<link>https://mikaelastebystenfalk.com/Utsnitt</link>

		<pubDate>Tue, 06 Oct 2020 10:53:54 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/Utsnitt</guid>

		<description>


Utsnitt&#38;nbsp;












Separatutställning på Sigtunastiftelsen, 12 april - 23 maj 2025. Curator: Vilma&#38;nbsp;Luostarinen.











Att göra ett utsnitt innebär att samtidigt inkludera och exkludera. När vi tar ett fotografi riktar vi blicken, fångar och delar ett utsnitt ur verkligheten. På ett liknande sätt kan arkitekten placera ett fönster så att det ramar in en särskild vy, eller ett arkiv berätta utvalda delar av historien. Som människor väljer vi ut, sållar och fokuserar, medan periferin suddas ut, förvrängs och försvinner bort.


Med inspiration från de utsnitt som återfinns i Sigtunastiftelsens miljöer visar Mikaela Steby Stenfalk ett urval av tidigare och nya arbeten. Hennes bakgrund inom arkitektur, visuell kommunikation och kuratering har satt tydliga spår i hennes bildkonstnärliga praktik, där den mänskliga blicken är central. Genom att kombinera traditionella och digitala verktyg får hon syn på tidigare svåråtkomliga berättelser och belyser dem med sina verk. Teknologin blir här ett konstnärligt verktyg, snarare än något som riskerar att ersätta människans unika skaparförmåga.


Mikaela Steby Stenfalks skulpturala verk uttrycker både det personliga och det kollektiva, ofta i ett skede av förlust eller förändring. Som till exempel i ett pågående projekt för Göteborgs Botaniska trädgård där konstnären skapar en tio gånger större avbildning av den rödlistade ”Martornen”. Den kraftigt uppförstorade växten liknar närmast ett skelett, något som är på väg att smälta, förvrängas och försvinna, som ett kusligt eko av vårt tids artutdöd och miljöförstörelse.


Upplevelsen av tillhörighet till platser är också återkommande, som i Flyktiga fragment av Notre Dame, en serie fragmenterade skulpturer som utgår från de tusentals bilder som delades på Instagram medan Notre Dame i Paris stod i brand den 15 april 2019. Verken visar inte bara var vi väljer att fokusera blicken, vilka utsnitt av verkligheten vi skapar och delar med varandra, utan synliggör framför allt vad vi inte ser och som därmed riskerar att falla i glömska.







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Images: Alexander Beveridge
</description>
		
	</item>
		
		
	<item>
		<title>The Model Archive / Boxen, ArkDes</title>
				
		<link>https://mikaelastebystenfalk.com/The-Model-Archive-Boxen-ArkDes</link>

		<pubDate>Tue, 06 Oct 2020 15:17:53 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/The-Model-Archive-Boxen-ArkDes</guid>

		<description>
	&#60;img width="1999" height="1429" width_o="1999" height_o="1429" data-src="https://freight.cargo.site/t/original/i/a0c6d9f7c104b8ecaa7b0a66b514782ca62c9b53a9131325e59091e3c6808b10/A_11.jpg" data-mid="86458328" border="0"  src="https://freight.cargo.site/w/1000/i/a0c6d9f7c104b8ecaa7b0a66b514782ca62c9b53a9131325e59091e3c6808b10/A_11.jpg" /&#62;
Boxen
In 2017, I was hired as a Curator for Contemporary Architecture and Design at ArkDes — Swedish National Centre for Architecture and Design to initiate the museum’s new exhibition space. Together with Director Kieran Long, I researched and developed the concept and realisation of Boxen, which opened on June 20th 2018.
The gallery is designed by Dehlin Brattgård Arkitekter and has a bold graphic identity designed by Studio Reko, both chosen after invited competitions between emerging architecture and graphic design studios in Sweden.
Format: Exhibition spaceRole: Curator for Contemporary Architecture and DesignYear: 2017 - 18


	The Model Archive
Curating Modellarkivet at ArkDes, featuring Malin Pettersson Öberg and her film
about the model archive at Stockholm's Urban planning office. The film, as well as the book The Model Archive - A Witness to the City&#38;nbsp;(A+O Publishing, 2023), uses the archive as a lens through which
they reflect on the current urban planning of Stockholm from an artistic as well as an
architectural point of view.

					

Format: Exhibition and bookRole: Curator for Contemporary Architecture and Design (exhibition) and Editor (book)
Year: 2018 (exhibition) and ongoing (book)
The book was made possible with the support of Swedish
Arts Grants Committee, Estrid Ericssons Stiftelse, Längmanska stiftelsen, Stiftelsen Konung Gustav VI Adolfs fond för svensk kultur, Kungliga Patriotiska Sällskapets understödsfond, Index -
Swedish contemporary art foundation and ArkDes.&#60;img width="1438" height="1027" width_o="1438" height_o="1027" data-src="https://freight.cargo.site/t/original/i/e36cd1017d92e7f2d933ccb49c4b959168fd9671e890268693e2b21316aad5e9/1_Front-pages.JPG" data-mid="228531054" border="0"  src="https://freight.cargo.site/w/1000/i/e36cd1017d92e7f2d933ccb49c4b959168fd9671e890268693e2b21316aad5e9/1_Front-pages.JPG" /&#62;





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Images by Kristofer Johnsson, Studio Reko &#38;amp; Mikaela Steby Stenfalk
Selected pressDN, Epsteins STHLM:&#38;nbsp;www.facebook.com/notes/dn-stockholm/film-p%C3%A5-arkdes-staden-sl%C3%A4ngde-20-ton-husmodeller-p%C3%A5-tippen/2060089934259746/
https://www.svt.se/nyheter/lokalt/stockholm/x-2https://arkdes.se/en/utstallning/modellarkivet/
www.mynewsdesk.com/se/arkdes/pressreleases/inbjudan-foerhandstitt-arkdes-nya-utstaellningsrum-och-utstaellningen-modellarkivet-2539648https://www.dezeen.com/2019/02/27/boxen-dehlin-brattgard-arkitekter-arkdes-museum-stockholm/www.archdaily.com/911545/boxen-dehlin-brattgard-arkitekterwww.designboom.com/architecture/boxen-dehlin-brattgard-arkitekter-arkdes-02-19-2019/︎︎︎
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		<title>Collective Collection of Sistine Chapel</title>
				
		<link>https://mikaelastebystenfalk.com/Collective-Collection-of-Sistine-Chapel</link>

		<pubDate>Tue, 06 Oct 2020 08:47:34 +0000</pubDate>

		<dc:creator>Mikaela Steby Stenfalk</dc:creator>

		<guid isPermaLink="true">https://mikaelastebystenfalk.com/Collective-Collection-of-Sistine-Chapel</guid>

		<description>
	
&#60;img width="3010" height="4032" width_o="3010" height_o="4032" data-src="https://freight.cargo.site/t/original/i/92c58927cc50153b9c1e959440a3ada95c1033653eaf578622623613d98dae1a/B5CD6E10-AC62-42E5-AFB2-68C21B1B078D-1B3F2A13-2BDE-4F77-82E7-B281DB3535F2.JPG" data-mid="84748768" border="0"  src="https://freight.cargo.site/w/1000/i/92c58927cc50153b9c1e959440a3ada95c1033653eaf578622623613d98dae1a/B5CD6E10-AC62-42E5-AFB2-68C21B1B078D-1B3F2A13-2BDE-4F77-82E7-B281DB3535F2.JPG" /&#62;

	
Collective Collection: Sistine Chapel

Despite the strict camera prohibition in the Sistine Chapel, approximately 30 images
are uploaded per day to the hashtag #sistinechapel. These photographs are merged
using photogrammetry and clearly shows the perspective of the public – only the
ceiling is reconstructed, while the floor has been completely left out.
Material: Digital print on vinyl, fibreglass
Year: 2019
Displays: Palazzo Michiele / Venice Art Biennale (2019), Galeria e Bregdetit (2020)
Commissioned for European Culture Center to be displayed at the 58th Venice Art Biennale (2019).





&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/36dc28afeda437348f92a597b5c3edb5852487b6e01c4b0554e05ec426e55203/096F3E95-DEBE-44DF-9E06-1336090A734C-E987CF79-5DBB-49C7-93A1-B4F0443F5C00.JPG" data-mid="84748767" border="0"  src="https://freight.cargo.site/w/1000/i/36dc28afeda437348f92a597b5c3edb5852487b6e01c4b0554e05ec426e55203/096F3E95-DEBE-44DF-9E06-1336090A734C-E987CF79-5DBB-49C7-93A1-B4F0443F5C00.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4d8d526dbb3b5d9cdbf0b83d09fb82277558f4dd0560949a56771ee5e52654ec/collective-collection-sistine-chapel-1.jpg" data-mid="84748733" border="0"  src="https://freight.cargo.site/w/1000/i/4d8d526dbb3b5d9cdbf0b83d09fb82277558f4dd0560949a56771ee5e52654ec/collective-collection-sistine-chapel-1.jpg" /&#62;

In
a time when the experience of the physical world often happens first through
images circulating on the Internet, the digital image has significantly gained
value. As Hito Steyerl stated in Politics
of Post-representation (2014): “Social media makes the shift from
representation to participation very clear: people participate in the launch
and life span of images, and indeed their life span, spread and potential is defined by participation.” Within this
condition the ‘crowd’ determines the force of the image, not the professional. 



Social media platforms such as Instagram
can now be seen an open-source, digital archive of public space; collectively
gathered, shared and remembered by the public itself. The visitors have
transformed from passive spectators to virtual storytellers, as they upload the
narratives of their experiences onto social media.



The Sistine Chapel is part of the
Apostolic Palace, the official residence of the pope, in Vatican City. The chapel
is home to many pieces of art including statues, tapestries, and paintings by
Michelangelo Buonarroti. One of the most famous attractions is Michelangelo’s
ceiling paintings including the Creation
of Adam, as well as The Last Judgment&#38;nbsp;behind the altar.



Despite the strict prohibition of
photography inside the Sistine Chapel, the number of images on Instagram are
increasing rapidly. Digital categorising systems such as hashtags—a word or
phrase used on social media to identify images on a specific topic—these images
can easily be gathered. At the time of the production of Collective Collection: Sistine Chapel, the hashtag #sistinechapel had accumulated 118.615
images. Each day, approximately 30 new images are added to the hashtag.



What is the collective memory of the
Sistine Chapel? Collective Collection crowd-sources one day worth of images
(i.e. 30 images) from Instagram and re-constructs the chapel through
photogrammetry. Mimicking a three-dimensional scanner, the public collectively
present a fragmented, digital paraphrase of the original space. Simply
explained, photogrammetry works better the more images are available: Areas of
the chapel which were photographed frequently become clear and detailed,
meanwhile areas such as the floor is completely missing. 



The method works in a forensic way,
which allows us to trace back a moment in time and space, through the lens of
social media. Images by Mikaela Steby Stenfalk







Selected press:
https://www.designboom.com/design/venice-design-exhibition-2019-european-cultural-cen-
tre-05-06-2019/

					
https://www.feeldesain.com/venice-design-2019-international-design-exhibition.html

					
https://venice-design.com/exhibitions/comingup

					
https://frameweb.com/article/diversity-dominates-the-european-cultural-centre-exhibi-
tions-in-venicehttps://bibliotek.taby.se/sv/exhibition/m%C3%A5nadens-konstn%C3%A4r-mikaela-steby-stenfalk


				
			
		
	

Alisa Velaj: REALJA POETIKE MES DY KALTËRSIVE

https://exlibris.al/wp-content/uploads/2020/10/EXLIBRIS_99.pdf?fbclid=IwAR34DSWgDy01lLzwmpRXtdC20JdrDLX7lbsU7qcN2XVP96rvVoc3ZmYYgAw

https://exit.al/en/2020/10/12/135860/?fbclid=IwAR1po2EGZzK4oJoer0jChmhZ2Ip9nYoDWYyQ1aK3gEslpOvlIESx5N6L7zw

http://rti.rtsh.al/2020/09/23/phototones-du-ciel-a-la-mer/?fbclid=IwAR3LXIcwW6JSD1thRE4ps1WIujg2d3VOufDz2CthWxWVh7IDA8eO4ZSSRWshttps://issuu.com/jarpin2008/docs/trailblazing_20magazine_20october_202020
www.swedenabroad.se/pt/embaixada/albania-tirana/current/news/exhibiton-from-the-sky-to-the-sea/


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